It’s interesting that Teresa Collins and her design aesthetic is one that tends to polarize people. Or at least that’s the way it seems to me in my chats with other crafters. It seems most either love her style or hate it–and very few in between. I for one love her work and designs. I find her muted use of color and reliance on classic French elegance and iconography appeals to my sense of style and design. You all know how much I love keys, crowns, damask patterns, fleur-de-lis, ornamental wrought iron and the like. So, I love Theresa Collins’ papers and accessories–and I’m beyond the moon that she is now teaming up with ProvoCraft to lend her artwork and style for use with the Cricut machines and Imagine.
Today’s card project was created with artwork and patterns from Teresa Collins’ Cricut Imagine cartridges called “Baby Boutique” and “Black & White”. It may be a bit much on design overload, but I like it. Then again, I always thought I should be king of something….or everything. I’m joking. I think.
Today’s card was born out of a strip of punched paper. I’d been chomping at the bit to try a Stampin’ Up! punch that makes its debut in the new 2011-2012 Idea Book & Catalog. It’s called the “Large Lace Ribbon Border Punch” (#122362, $ 19.95). It’s a very versatile design that can be incorporated into your crafting projects in very different ways. In this particular case, I chose to use it as an alternative to ribbon on the card front and as a decorative element in the inside of the card.
The card base is done in Papertrey Ink’s “Hibiscus Burst” cardstock. The decorative paper is a piece of Stampin’ Up! Designer Series Paper that is now unfortunately retired. The focal floral piece is from a retired Stampin’ Up! set called “Stitched Exotics” and is attached with Stampin’ Dimensionals. The greeting stamp is from Pink Paislee’s “Butterfly Garden” collection.
Today’s card project features something that I’ve always been hesitant to try–paper tearing. I’ve long admired the look of frayed natural fiber edges. I think it gives cards a unique focal point and textural element. The problem is that I’m one of those people (read: control freaks) that starts to panic about tearing paper. What if it’s too straight? What if it’s too messy? What if I ruin the paper? Yes, friends, I have issues. But, I am here to tell you that sometimes you just have to lose control and try it–and I’m glad I did.
I started with a 5 1/2″ x 8 1/2″ piece of Papertrey Ink cardstock in Lavender Moon. I scored it at 4 1/4″ and used my Zutter Round-It-All to remove all four corners. For the experiment in paper tearing, I used a piece of Kraft Resist cardstock from Tim Holtz’s Idea-ology line that had some printed butterflies and a clear dimensional resist swirl pattern. I cut a 12″ x 12″ sheet into several 5 1/2″ lengths of various widths and started freehand tearing along the edges. I think the key to getting a very natural looking tear pattern is to tear slowly using a slight up-and-down motion with your fingers. After several test runs, I was ready to experiment with adding color to kraft cardstock background. Using a sponge dauber and some Tsukineko Memento ink in Grape Jelly, I tried to create some shading and variations to the background pattern while creating a contrast color to the lavender. The octagonal shaped tag features a lovely purple butterfly cut from some K & Company paper from Susan Winget’s “Spring Blossom” Collection. I also added a small ribbon rosette from Stampin’ Up! as a final accent.
*Papertrey Ink cardstock in Hawaiian Shores and Blueberry Sky
*Cricut Imagine (and Bazzill Textured White cardstock)
*Cricut Imagine “Buccaneer” Art Cartridge
*Cuttlebug Embossing Folder: “Persia”
*Tsukineko Memento Ink in Danube Blue
*Papertrey Ink Label Steel Die
*Papertrey Ink Sentiment Acrylic Stamp