For some strange reason, I love making Halloween themed cards. I suppose it’s not even really a very “carded” holiday. But there’s something about the whole oranges, blacks, greens, purples, etc. that fascinate me. The witches, ghosts and goblins call out to that five year-old boy that still lives somewhere inside my cluttered mind.
Today’s card uses a great background paper from Teresa Collin’s “Haunted Hallows” designer paper collection. (Notice the subversive skulls that are hidden among the classic damask pattern. I also used Papertrey Ink’s “Friendship Jar” and “Friendship Jar Fall Fillers” acrylic stamps (and the corresponding steel dies) to create the artwork on the card front. I used my Stampin’ Write markers to handcolor the artwork. The “Trick or Treatment” sentiment and the inside journaling block is paper from Echo Park’s “Apothecary Emporium” collection”. The skull stamp on the inside is from the Stampin’ Up! set “Spooky Bingo Bits”. I also used four caviar Kaiser Craft Sparklets stones to highlight the punched corners of the card mat.
Even though I am SO over the heat, humidity and weather identity crisis (and ultra-ready for Fall and beyond)–there is something about a great flower that always reminds you of the good things that come from Summer. The front of this card has a great flower (if I may be so bold as to say to).
The flower on this “get well” themed card was created with one Papertrey Ink’s fantastic steel dies. I have many of the dies they have created and this one, “Bloom Builders #3” (released in the August 2011 collection) is one of my very favorites. The die cuts five layers of petals in one pass through a standard die-cutting machine. Three layers will have the centers removed (to avoid the build-up of paper bulk in the center of a flower) and two will have solid centers. I used Papertrey Ink’s cardstock in “Spring Moss” and cut the five layers twice–for a total of ten layers to create the flower.
As you layer the same size flower to one another, simply rotate the petals to create the maximum effect of as many petals showing as possible. I used a Zig two-way glue pen to adhere my layers together. To add a bit of pop to the flower (and card), I used a Kaiser Craft Sparklets stone (love these!).
For the card base, I used some mica cardstock in an A2 size. The mat is a 4″ x 5″ piece of Papertrey Ink Stamper’s Select White cardstock. I used the Martha Stewart French Scoll corner punch on two corners of the mat. The vine image was stamped twice in reverse directions. It is from a Kaiser Craft clear acrylic stamp set called “Blae & Ivy”. I stamped the image using Tsukineko Brilliance pigment ink in Pearlescent Thyme. The paper for the inside journaling block is from Webster’s Pages.
Well, I hope wherever this crazy weather finds you that you and yours are safe and sound. Be watching for a Giveaway coming up very soon…
This giant medallion background rubber stamp was introduced about two seasons ago by Stampin’ Up! (and is still currently available). I can’t tell you how many times I reach for it to make invitations, notecards, background images, etc. It’s such a large stamp, that many times, I only use a portion of it on my project (as below). These types of images are great for gender-neutral projects and are terrific for experimenting with different mediums or heat embossing.
For this card, I used a piece of bronze-hued mica cardstock as a card base. The mat is a 4″ x 5″ piece of Stampin’ Up! Early Espresso cardstock. To create the image, I offset the stamp (which I unmounted) and used some Papertrey Ink pigment ink in Fresh Snow. I really like the contrast of the white ink with the dark papers.
Once the image was completely dried, I used a double wrap of 1/8″ taffeta ribbon in Early Espresso (with white edging) to create some visual interest and break up the main design. I used a vintage brooch-inspired brad from Pink Paislee/House of 3 “Parisian Anthology” collection. I think the smoked jeweled clusters are the perfect contrast to the stark white stamped image–hard and soft.
It’s interesting that Teresa Collins and her design aesthetic is one that tends to polarize people. Or at least that’s the way it seems to me in my chats with other crafters. It seems most either love her style or hate it–and very few in between. I for one love her work and designs. I find her muted use of color and reliance on classic French elegance and iconography appeals to my sense of style and design. You all know how much I love keys, crowns, damask patterns, fleur-de-lis, ornamental wrought iron and the like. So, I love Theresa Collins’ papers and accessories–and I’m beyond the moon that she is now teaming up with ProvoCraft to lend her artwork and style for use with the Cricut machines and Imagine.
Today’s card project was created with artwork and patterns from Teresa Collins’ Cricut Imagine cartridges called “Baby Boutique” and “Black & White”. It may be a bit much on design overload, but I like it. Then again, I always thought I should be king of something….or everything. I’m joking. I think.
Today’s card was born out of a strip of punched paper. I’d been chomping at the bit to try a Stampin’ Up! punch that makes its debut in the new 2011-2012 Idea Book & Catalog. It’s called the “Large Lace Ribbon Border Punch” (#122362, $ 19.95). It’s a very versatile design that can be incorporated into your crafting projects in very different ways. In this particular case, I chose to use it as an alternative to ribbon on the card front and as a decorative element in the inside of the card.
The card base is done in Papertrey Ink’s “Hibiscus Burst” cardstock. The decorative paper is a piece of Stampin’ Up! Designer Series Paper that is now unfortunately retired. The focal floral piece is from a retired Stampin’ Up! set called “Stitched Exotics” and is attached with Stampin’ Dimensionals. The greeting stamp is from Pink Paislee’s “Butterfly Garden” collection.